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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Survivors (Audio)

Home > Video > Dark Model – Survivors (Audio)
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  • Dark Model - Survivors (Audio)Dark Model – Survivors (Audio)

Language:

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  • 日本語
Categories: Saga. Tags for Video: Orchestral Electronic and Electronic Funk/Synth Funk.

This orchestral electro-disco/funk track features an anthemic chorus part with full strings and brass arrangement, emphasizing a heroic feel of this track.

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”
(For Folk’s Sake)

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark.”
(Obscure Sound)

BPM: 112
Keyword for this track: Dance, Orchestral Disco Funk, Swagger, Emotive, Powerful, Heroic, Epic, Dramatic, Confident, Anthemic, Positive, Driving, Baroque, Classical, Thematic, Brave, Synth, Trumpet, Electronic Beats, Midtempo, 70s

Reviews on “Survivors”

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark. Never dull, “Survivors” and fellow recent release “Storm Goddess” show Oe’s production-based power well.”

(Mike Mineo, Obscure Sound)

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”

(Jonathan Frahm, For Folk’s Sake)

“Oe merges the dramatic and cinematic sweep of orchestral music with the enthusiastically rhythmic and dancy effusion of electronica on the 13 robust and rousing tracks that comprise Saga. The single Survivors showcases Oe’s adept merging of these two supposedly disparate genres into one entrancing whole.”

(Jen Dan, Indie Music Review)

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These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, video games, etc, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - AvalonDark Model – Avalon (Audio) Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption (Audio) Dark Model - LabyrinthDark Model – Labyrinth (Audio) Dark Model - Storm GoddessDark Model – Storm Goddess (Audio) Dark Model - PreludeDark Model – Prelude (Audio)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
27 July 2026

年季の入ったブルースマンやR&Bミュージシャンのインタビューを聞いていると、”We was” という表現が出てくることがある。これは標準英語とは異なるが、彼らの間では決して間違いではない。こういうのは Vernacular(自然発生的な日常文法) といって、Slang(俗語・流行語) や、地域的な Dialect(方言) とも少し違う。このバンドの名前 Sho-nuffは、「あたりきよ!(Sure enough)」みたいな、レトロで味のあるスラング。

Sho-nuff – Don't Use Me Up https://youtu.be/oIHRDJbhwUM

No Title
26 July 2026

シンガポールの元外交官で、国連大使として安全保障理事会議長も務めたキショール・マフバニ氏は、アジアの躍進は歴史の自然な流れだと長年語ってきた。この講演では、多くの西洋人の聴衆を前に、「世界人口のわずか12%に過ぎないあなた達が、残りの88%(グローバルサウスやアジア)に説教する時代は終わったんです」と指摘する。G7などを通じてその「西洋」の側に足を置き続けてきた日本にとっても、ズシンと響く話だ。

The West has sleepwalked into its downfall | Kishore Mahbubani https://youtu.be/M42GT-oPXYY

No Title
24 July 2026

蒸気機関の大幅な改良で、産業革命の立役者となったジェームズ・ワット。輝かしい功績とは裏腹に、彼の歩んだ道のりは挫折の連続だった。成功が見えないまま10年近く研究と資金繰りに追われたどん底の時期、彼が友人に宛てた手紙に残した言葉は、「人生のあらゆることの中で、発明ほどバカバカしいものはないよ」(出典)。「必死にもがいているのに全然報われない」と感じる時期こそ、実は大逆転が起こる直前のサインだったりする。

Exploring the Life and Times of James Watt https://youtu.be/ecFTXRDm_vA

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