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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Survivors (Audio)

Home > Video > Dark Model – Survivors (Audio)
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Today’s Popular Videos

  • [:en][YouTube Playlist] Sci-fi / Cyberpunk[:ja][YouTube プレイリスト] SF / サイバーパンク[:][YouTube Playlist] Sci-fi / Cyberpunk
  • Dark Model - Rage and Redemption (Audio)Dark Model – Rage and Redemption (Audio)
  • ABC: Switched at Birth feat. Captain Funk "I'm Ready to Go"ABC: Switched at Birth feat. Captain Funk “I’m Ready to Go”
  • Dark Model - Prayer For The New MoonDark Model – Prayer For The New Moon
  • [:en]Commercial Reels and Music Placements[:ja]映像事例集: 広告・映画等への楽曲ライセンス&提供事例[:]Commercial Reels and Music Placements

Language:

  • English
  • 日本語
Categories: Saga. Tags for Video: Orchestral Electronic and Electronic Funk/Synth Funk.

This orchestral electro-disco/funk track features an anthemic chorus part with full strings and brass arrangement, emphasizing a heroic feel of this track.

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”
(For Folk’s Sake)

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark.”
(Obscure Sound)

BPM: 112
Keyword for this track: Dance, Orchestral Disco Funk, Swagger, Emotive, Powerful, Heroic, Epic, Dramatic, Confident, Anthemic, Positive, Driving, Baroque, Classical, Thematic, Brave, Synth, Trumpet, Electronic Beats, Midtempo, 70s

Reviews on “Survivors”

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark. Never dull, “Survivors” and fellow recent release “Storm Goddess” show Oe’s production-based power well.”

(Mike Mineo, Obscure Sound)

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”

(Jonathan Frahm, For Folk’s Sake)

“Oe merges the dramatic and cinematic sweep of orchestral music with the enthusiastically rhythmic and dancy effusion of electronica on the 13 robust and rousing tracks that comprise Saga. The single Survivors showcases Oe’s adept merging of these two supposedly disparate genres into one entrancing whole.”

(Jen Dan, Indie Music Review)

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(As for availability of local record shops in the US, please check the list at the bottom of this page.)
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These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, video games, etc, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - AvalonDark Model – Avalon (Audio) Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption (Audio) Dark Model - LabyrinthDark Model – Labyrinth (Audio) Dark Model - Storm GoddessDark Model – Storm Goddess (Audio) Dark Model - PreludeDark Model – Prelude (Audio)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
25 October 2026

本棚を整理していて栗本慎一郎氏を思い出し、懐かしの『パンツをはいたサル』を読み返す。同書で紹介される「過剰と蕩尽」理論の本家、ジョルジュ・バタイユの『呪われた部分』は久しく開いていないが、昨今のAIの暴走や相次ぐサイバー攻撃のニュースに触れ、まさにこの現象だと感じた。過剰な2010年代を経て、様々な局面で蕩尽が始まっているように見える今、内なる声に耳を傾け、ひたむきに生きたい。

『呪われた部分 (ジョルジュ・バタイユ著作集)』 https://link.amazon/B0jbBY4Tp

No Title
24 October 2026

僕が創っているのは音楽だが、創作の動機や姿勢に関して、音楽家や作曲家からインスパイアを受けることは滅多にない。発明家、文筆家、映画監督、研究者、そしてさまざまな美術家のインタビューや著書、制作風景に触発されたり共感したりすることはしょっちゅうで、そのための探索は音楽を聴くのと同じくらい好きだ。 陶を素材とする造形作家、田中知美さんの「器を作ろうと思って陶芸を始めたのではない」という言葉がとても印象に残った。

Contemporary Ceramics in Japan: Interview with Tanaka Tomomi https://youtu.be/Bv0WFm8cwzw

No Title
21 October 2026

1977年、NASAの宇宙探査機ボイジャー1号と2号は、金色のレコードを携えて果てしない宇宙へと旅立った。「ゴールデンレコード」と名付けられたその盤には、地球の自然音や画像、脳波データ、そして世界各地の音楽が約90分にわたって収められている。 日本の古典尺八の曲と並び、ひときわ異彩を放つのがブルガリアの歌手ヴァリャ・バルカンスカによる民謡だ。この曲自体に、我々を宇宙の深淵に引き込むかのような壮大な引力がある。

Voyager's Golden Record – Iziel je Delyo Hagdutin – Bulgaria https://youtu.be/ZP29VyGOLnw

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