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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Survivors (Audio)

Home > Video > Dark Model – Survivors (Audio)
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Model Electronic Records on Vimeo

Language:

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  • 日本語
Categories: Saga. Tags for Video: Orchestral Electronic and Electronic Funk/Synth Funk.

This orchestral electro-disco/funk track features an anthemic chorus part with full strings and brass arrangement, emphasizing a heroic feel of this track.

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”
(For Folk’s Sake)

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark.”
(Obscure Sound)

BPM: 112
Keyword for this track: Dance, Orchestral Disco Funk, Swagger, Emotive, Powerful, Heroic, Epic, Dramatic, Confident, Anthemic, Positive, Driving, Baroque, Classical, Thematic, Brave, Synth, Trumpet, Electronic Beats, Midtempo, 70s

Reviews on “Survivors”

“With a rhythm section entrenched in the electronic spectrum, soaring and anthemic strings and classical-inspired organ lines comprise the lead melodic force. The blare of brass around 02:20 signals a melodic shift, into mariachi-like territory — before reverting back into symphonic anthemic bliss around the three-minute mark. Never dull, “Survivors” and fellow recent release “Storm Goddess” show Oe’s production-based power well.”

(Mike Mineo, Obscure Sound)

“‘Survivors’ is one of Saga’s lead singles and features a compelling cross between electronic and classical music to create a world around Oe’s aural landscape. It’s a scintillating movement capable of weaving characters and a setting into place within the mind’s eye as you listen.”

(Jonathan Frahm, For Folk’s Sake)

“Oe merges the dramatic and cinematic sweep of orchestral music with the enthusiastically rhythmic and dancy effusion of electronica on the 13 robust and rousing tracks that comprise Saga. The single Survivors showcases Oe’s adept merging of these two supposedly disparate genres into one entrancing whole.”

(Jen Dan, Indie Music Review)

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These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, video games, etc, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - AvalonDark Model – Avalon (Audio) Dark Model - Rage and Redemption (First Version)Dark Model – Rage and Redemption (Audio) Dark Model - LabyrinthDark Model – Labyrinth (Audio) Dark Model - Storm GoddessDark Model – Storm Goddess (Audio) Dark Model - PreludeDark Model – Prelude (Audio)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
5 November 2025

ジョン万次郎=幕末の頃アメリカに渡った初めての日本人、ということはうっすら覚えていたけれど、先日たまたま彼の生涯を紹介したテレビ番組を見て驚いた。普通なら何度命を落としていてもおかしくないほど波乱に満ちた人生を切り抜けられたのは、本人の精神力や努力の賜物であるのは言うまでもないが、やはり並外れた強運の持ち主だったのだろう。それと同じくらい、ジョン万次郎資料館の名誉館長があの「こんばんみ」の人であることにもびっくり。

ジョン万次郎の生涯 – ジョン万次郎資料館公式サイト https://www.johnmung.info/john_syougai.htm

No Title
5 November 2025

一見難解だったり複雑に聞こえない音楽でも、プレイヤーたちの超絶的な技巧やセンスがそこに深みを与えていることはよくある。僕はバカテク系の音楽やミュージシャンには興味がない代わりに、その手の「深み・旨味系プレイヤー」(そんな言葉ないか、笑)の演奏には魅了される。ゴスペルアーティストKirk Franklinを支えるベーシストMatt Ramseyと、Snarky Puppyのメンバーでもあった故Shaun Martinのコンビは、まさに旨味系。

Kirk Franklin: Tiny Desk (Home) Concert https://youtu.be/wRwId2RfmfA

No Title
3 November 2025

セールスに関するポッドキャスターが「何でもかんでもリバースエンジニアリング(RE)できると思う傾向には反対だ。人間関係や信頼が解析できないように、どんなに営業ツールやAIが進化してもセールスも解析できない」と主張していたのが印象に残った。音楽の世界でも、人の好みをRE的に解析する「推薦システム」が当たり前に使われているが、アルゴリズムやAIの薦めるものには当然限界や不自然さがあり、その違和感を感じられることこそ人間らしさだと思う。

『推薦システム実践入門』(オライリージャパン) https://amzn.to/4929162

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