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Music Placements for TV programs & Promos – 2015 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2015 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Program, TV Commercial, United States, Sync License, United Kingdom, Canada, MTV, FOX, and Advertising.
Mar 9, 2016
Big Bang Theory

These are examples of television networks’ (incl. cable & satellite providers) programs and promos where Tatsuya (as Captain Funk, Dark Model etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded). As to other/past placements, please refer to Music Placement on News page or Credits.

Note: These placements include ones which occurred before 2015 as we often receive their reports with some delay.

-TV Programs & their promos/trailers (in alphabetical order) –

A&E Australia “Aussie pickers”
AHC (American Heroes Channel) “Bullet points,” “Shadow Ops”
AMC “Game of Arms”
BBC (UK) “Snooker”
Bravo “Flipping out,” “Built,” “Married to Medicine,” “Start ups Silicon Valley” etc.
CBS “Big Bang Theory”
CBS Sports “MLB Baseball”
Centric “Being”
CMT “My Big Redneck Vacation”
Discovery Channel “Auction Kings,””Turn and Burn” etc.
E! “News live,””Rich Kids of Beverly Hills”
ESPN “UEFA Champions League”
Esquire “Boundless”
Fox “Dish Nation”
Fox Sports “NASCAR on Fox,” “Fox sports live”
Fuse “Fuse News”
HGTV “Income Property”
History Channel “American Pickers,””American Restoration,””Counting Cars” etc.
Lifetime “Double Divas”
MTV “Guy Code,””Girl Code,””MTV Creeps,””1 Girl 5 Gays” etc.
National Geographic “Abandoned,””Brain Games,””Sinkholes: Swallowed Alive,””Going Deep with David Rees” etc.
NBCUniversal Television “Steve Harvey Show”
Spike “Ink Master”
Sundance TV “Dream School USA”
TLC “Say Yes to the Dress,””Sex Sent Me to the ER” etc.
Travel and Escape “Our family vacation”
TruTV “Impractical Jokers,””Guinness World Records Unleashed”
Oxygen “Chasing Maria Menounos”
VH1 “Love and Hip Hop Atlanta”


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TV ProgramTV CommercialUnited StatesSync LicenseUnited KingdomCanadaMTVFOXAdvertising
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Tatsuya Oe Updated: December 12, 2025

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Microblog

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26 June 2026

各AIサービスの最新バージョンの優劣を追いかけることには特に熱心ではないけれど、生成AIの思想的な根底にあるアーキテクチャが今後どうなるのかを探るのは面白い。現在普及しているTransformerに対抗して登場したMambaというモデルは、マルコフ連鎖という確率手法と深い関係があるというので、開発者の一人Albert Gu氏の講義を観てみた。AI投資のホラ吹き競争ではなく、このように現場で「知の競争」が進んでいるのを見るのは楽しい。

スタンフォード講義: 状態空間モデルとTransformerのトレードオフについて https://youtu.be/OyimE74UMF8

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24 June 2026

日系2世のアーティスト、ルース・アサワのドキュメンタリーを見た。以前から作品は知っていたものの、その生涯や背景に触れるのは初めてで、深く引き込まれた。彼女は第二次大戦中の日系人強制収容所で、同じく収容されていたディズニーのアニメーターから絵を学んだという。逆境をアートへの扉へと転換した彼女の強さに胸を打たれると同時に、ふと思った。僕の曽祖父の家族もまた、あの時代、同じ場所にいたのかもしれない、と。

Ruth Asawa: MoMA documentary https://youtu.be/kOZC9X97-fQ

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23 June 2026

最近使う生成AIは3つほどに絞られた。その一つ、Geminiの強みは「知能の高さより、UXのフリクションレス(摩擦のなさ)」を追求している点だ。個人利用において我々は、説教や融通の利かないファクトチェックは不要だし、時に「正解」さえ求めていない。この「ザラつき(違和感)のないコミュニケーション/インターフェイス」の設計力こそ、今のデザインやサービス開発に最も問われている。アートや創作においては、違和感は大事な要素だけれど。

フリクションレスとは?| リテール・リーダーズ https://retailguide.tokubai.co.jp/knowledge/40069/

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Captain Funk’s “Endless Possibilities (Percussive Instrumental Mix)” was licensed for the Money Monster international trailer. Unreleased new mix.

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