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OE’s music licensed in “Kodama feat. GRAND SEIKO” movie

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Home > Topics > OE > OE’s music licensed in “Kodama feat. GRAND SEIKO” movie
Categories: OE and Music Placement. Tags: United States, Sync License, Suchness, Videos, and Websites. Formats: Gallery.
Nov 20, 2023

Kodama featuring GRAND SEIKO by The Watches of Switzerland USA

The Watches of Switzerland USA, one of the largest luxury watch retailers in the US, created a beautiful movie featuring Tatsuya’s music composed under the name of OE (as a sync-licensing use). In the film “Kodama featuring GRAND SEIKO,” Mira Nakashima and senior designer Jaysond Neill of George Nakashima Woodworkers represent art, design, architecture, and Japanese culture with Grand Seiko watches.

Enjoy the full movie on The Watches of Switzerland US website and a short edit on their Instagram page.

Kodama featuring GRAND SEIKO page on The Watches of Switzerland USA (full movie)

PS: A new version of the featured song “Garden Fountains” was included in OE’s album “Seisei Ruten (Suchness 4).”

Post on Instagram

この投稿をInstagramで見る

Watches of Switzerland USA(@watchesofswitzerland_usa)がシェアした投稿

Kodama featuring GRAND SEIKO 2 by The Watches of Switzerland USA


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United StatesSync LicenseSuchnessVideosWebsites
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Tatsuya Oe Updated: December 12, 2025

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24 February 2026

白地に黒の四角が2個あった時、その間が徐々に狭くなって一つに見えてしまう仕掛けがあるとする。どこまで差が小さくなったら一つに融合して見えるかを測った時、2.1kHz(少し高めの音)を聞きながらその仕掛けを見た被験者は、その差の見極めが鋭くなったという。音で視力がよりクリアになったりぼやけたりするというのは、とても興味深い。私たちの五感は独立しているのではなく、脳の中で複雑に響き合い、一つの世界を作り上げている。

Captain Funk – Girlfriend #disco #funk #housemusic #uplifting https://www.youtube.com/shorts/zdsgFdOcIKg

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23 February 2026

ジェームズ・クリアーは「環境は習慣を作る”見えない手”だ」と言い、自制心の強い人は、実は「自制心を使わなくても済む仕掛け/仕組み/ルーティーン」を作るのが上手い人のことだと説いた。離れた部屋で眠るギターを手に取るには強い意志が要るが、視界に入る場所に置かれたギターには、自然に手が伸びる。成長のための負荷を「良い摩擦」として残し、目的達成や成長を留まらせる「悪い摩擦」を減らす。仕組みや環境を見直し、アップデートしていこう。

「やる気」は過大評価されている。より大事なのは「環境作り」の方だ。 https://jamesclear.com/power-of-environment

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22 February 2026

ドキュメンタリー「イマジニアリング」を見て再確認できることは、テクノロジーはあくまで「手段」であり、クリエイティブこそがその「目的」であるという事実。 本来、表現したいものがあるからこそ技術は発展してきた。しかし、昨今は手段(テクノロジー)が目的(クリエイティブ・社会的意義)を飲み込んでしまっているようにも感じる。 だからこそ今、あえて「テクノロジーを使わないクリエイティブ」に宿る価値を、深く考える習慣を取り戻したい。

錯覚作品「Magnet Like Slopes」(明治大学MIMS・杉原厚吉作) https://youtu.be/_bwsqRxqOvI

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