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OE’s music licensed in “Kodama feat. GRAND SEIKO” movie

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Home > Topics > OE > OE’s music licensed in “Kodama feat. GRAND SEIKO” movie
Categories: OE and Music Placement. Tags: United States, Sync License, Suchness, Videos, and Websites. Formats: Gallery.
Nov 20, 2023

Kodama featuring GRAND SEIKO by The Watches of Switzerland USA

The Watches of Switzerland USA, one of the largest luxury watch retailers in the US, created a beautiful movie featuring Tatsuya’s music composed under the name of OE (as a sync-licensing use). In the film “Kodama featuring GRAND SEIKO,” Mira Nakashima and senior designer Jaysond Neill of George Nakashima Woodworkers represent art, design, architecture, and Japanese culture with Grand Seiko watches.

Enjoy the full movie on The Watches of Switzerland US website and a short edit on their Instagram page.

Kodama featuring GRAND SEIKO page on The Watches of Switzerland USA (full movie)

PS: A new version of the featured song “Garden Fountains” was included in OE’s album “Seisei Ruten (Suchness 4).”

Post on Instagram

この投稿をInstagramで見る

Watches of Switzerland USA(@watchesofswitzerland_usa)がシェアした投稿

Kodama featuring GRAND SEIKO 2 by The Watches of Switzerland USA


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United StatesSync LicenseSuchnessVideosWebsites
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
8 May 2026

新しい作業場にようやく光回線を設置できた。2か月ほどポケットWiFi(!)でやりくりしているうち、自然と動画を見ずネットラジオばかり聴く習慣がついた。ラジオが聴ける程度の回線さえあれば、大抵の仕事はでき、無駄な娯楽に逃げず創造的な活動に集中できる。そのおかげで数十曲のデモを作れたのは大きな収穫だった。心理学者ロロ・メイによると、不安こそが創造への起爆剤だという。だとすれば、これほどクリエイティブに適した時代は滅多にないはずだ。

ROLLO MAY – THE COURAGE TO CREATE(創造する勇気) https://youtu.be/X_rTeNbMUiA

No Title
27 March 2026

一時期、エピクテトスの言葉に深く感動して読み耽っていたけれど、今はそのドライすぎる視点に「もう少し夢を見てもいいんじゃない?」と感じる部分がある。奴隷という過酷な境遇にいた彼には必要な強さだったのかもしれないが、その哲学を突き詰めると「宝くじが当たっても外れても、僕の幸福には無関係だ」なんて言う、寂しい人になってしまいそう。さて、そろそろ創作に本腰を入れたいので、マイクロブログはしばらく不定期更新とさせていただきます!

エピクテトス『語録 要録』 (中公クラシックス W 92) https://amzn.to/485V4Cr

No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。書くこと、創ることは自己成長の手段であるという、彼の姿勢には強く同感する。自作への評価は光栄だが、僕にとって過去作は「当時の内なる声を形にした、全力の結晶」のようなもの。常に脱皮し、「今の内なる声」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

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