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OE’s music licensed in “Kodama feat. GRAND SEIKO” movie

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Home > Topics > OE > OE’s music licensed in “Kodama feat. GRAND SEIKO” movie
Categories: OE and Music Placement. Tags: United States, Sync License, Suchness, Videos, and Websites. Formats: Gallery.
Nov 20, 2023

Kodama featuring GRAND SEIKO by The Watches of Switzerland USA

The Watches of Switzerland USA, one of the largest luxury watch retailers in the US, created a beautiful movie featuring Tatsuya’s music composed under the name of OE (as a sync-licensing use). In the film “Kodama featuring GRAND SEIKO,” Mira Nakashima and senior designer Jaysond Neill of George Nakashima Woodworkers represent art, design, architecture, and Japanese culture with Grand Seiko watches.

Enjoy the full movie on The Watches of Switzerland US website and a short edit on their Instagram page.

Kodama featuring GRAND SEIKO page on The Watches of Switzerland USA (full movie)

PS: A new version of the featured song “Garden Fountains” was included in OE’s album “Seisei Ruten (Suchness 4).”

Post on Instagram

この投稿をInstagramで見る

Watches of Switzerland USA(@watchesofswitzerland_usa)がシェアした投稿

Kodama featuring GRAND SEIKO 2 by The Watches of Switzerland USA


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United StatesSync LicenseSuchnessVideosWebsites
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Tatsuya Oe Updated: December 12, 2025

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10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

No Title
9 March 2026

この「Rakuen」という曲は、2019年リリースの『Oceans』に収録されているが、最初のバージョンを作ったのはそのずっと前、OE『Director’s Cut』を制作していた頃だったと思う。曲の雰囲気の通り南の島をイメージして作ったのだけれど、当時実際に行ったことのある島は沖縄くらいだった。その後、常夏の島で暮らしてみた後でこの曲を聴くと、頭に浮かぶ映像が俄然リアルなものになった。年中半袖&短パン生活を目指して、今日も頑張るか(笑)。

Captain Funk – Rakuen #downtempo #rnb #mellowbeats https://www.youtube.com/watch?v=YuQqVF3Ij5U

No Title
7 March 2026

『ピクサーの舞台裏という記録映像を観た。脚本や衣装など、専任の担当者が作った雛形に対し全参加者が意見を出し、それが原案よりも良ければ即座に採用・修正される、徹底的に民主主義的なチームワークが貫かれていて驚く。「最大公約数的なベスト」を追求するのはピクサーの真骨頂だが、近年のディズニー周辺のクリエイションの傾向として「“正しく”作らねばならない」という道徳的/倫理的な規律が強くなりすぎて、現場が窒息しないか心配も少々。

Inside Pixar | Official Trailer | Disney+ https://youtu.be/BmYhYPNbhtw

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