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OE’s music licensed in “Kodama feat. GRAND SEIKO” movie

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Home > Topics > OE > OE’s music licensed in “Kodama feat. GRAND SEIKO” movie
Categories: OE and Music Placement. Tags: United States, Sync License, Suchness, Videos, and Websites. Formats: Gallery.
Nov 20, 2023

Kodama featuring GRAND SEIKO by The Watches of Switzerland USA

The Watches of Switzerland USA, one of the largest luxury watch retailers in the US, created a beautiful movie featuring Tatsuya’s music composed under the name of OE (as a sync-licensing use). In the film “Kodama featuring GRAND SEIKO,” Mira Nakashima and senior designer Jaysond Neill of George Nakashima Woodworkers represent art, design, architecture, and Japanese culture with Grand Seiko watches.

Enjoy the full movie on The Watches of Switzerland US website and a short edit on their Instagram page.

Kodama featuring GRAND SEIKO page on The Watches of Switzerland USA (full movie)

PS: A new version of the featured song “Garden Fountains” was included in OE’s album “Seisei Ruten (Suchness 4).”

Post on Instagram

この投稿をInstagramで見る

Watches of Switzerland USA(@watchesofswitzerland_usa)がシェアした投稿

Kodama featuring GRAND SEIKO 2 by The Watches of Switzerland USA


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United StatesSync LicenseSuchnessVideosWebsites
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

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