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OE’s music licensed in “Kodama feat. GRAND SEIKO” movie

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Home > Topics > OE > OE’s music licensed in “Kodama feat. GRAND SEIKO” movie
Categories: OE and Music Placement. Tags: United States, Sync License, Suchness, Videos, and Websites. Formats: Gallery.
Nov 20, 2023

Kodama featuring GRAND SEIKO by The Watches of Switzerland USA

The Watches of Switzerland USA, one of the largest luxury watch retailers in the US, created a beautiful movie featuring Tatsuya’s music composed under the name of OE (as a sync-licensing use). In the film “Kodama featuring GRAND SEIKO,” Mira Nakashima and senior designer Jaysond Neill of George Nakashima Woodworkers represent art, design, architecture, and Japanese culture with Grand Seiko watches.

Enjoy the full movie on The Watches of Switzerland US website and a short edit on their Instagram page.

Kodama featuring GRAND SEIKO page on The Watches of Switzerland USA (full movie)

PS: A new version of the featured song “Garden Fountains” was included in OE’s album “Seisei Ruten (Suchness 4).”

Post on Instagram

この投稿をInstagramで見る

Watches of Switzerland USA(@watchesofswitzerland_usa)がシェアした投稿

Kodama featuring GRAND SEIKO 2 by The Watches of Switzerland USA


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United StatesSync LicenseSuchnessVideosWebsites
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Tatsuya Oe Updated: December 12, 2025

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No Title
6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

No Title
5 February 2026

(1/2) その昔「だまし絵」のエッシャーについて書かれた本を色々読んだ時期があった。『ゲーデル、エッシャー、バッハ―あるいは不思議の環』は今でも読み継がれている名著で、現在のAIの設計にも影響を与えたであろう「自己言及」について深堀りしている。ただ、著者が本当に模索していたのは、ここでは説明しきれていない(そして今のAI開発者が見落としがちな)『非言語的な混沌(カオス)の世界』に対する人間の認知の仕組みではなかったかと思う。

『ゲ-デル,エッシャ-,バッハ: あるいは不思議の環』 https://amzn.to/4acWxXV

No Title
4 February 2026

AIや機械学習の普及で、フィールドワーク(野外調査)をしない研究者が増えているという。開花時期の予測や鳥の移動パターンの観察など、データサイエンスが可能にする領域は多く、テクノロジーの貢献は大きい。ただ、それが現場経験の価値を失わせるわけではない。「自然に触れずして自然を研究する」ことに、ワクワクを感じ続けられるかは、その人の取り組み方や動機次第だと思う。音楽も同じようなところがある。

「私はめったに外に出ません」AI時代に野外調査を見捨てる科学者達(Nature) https://www.nature.com/articles/d41586-025-04150-w

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