• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Functional
      • Running Workout Music
      • Sound for Sitting Meditation
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • YouTube Shorts
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • Licensing Our Music (for International Users)
    • Licensing FAQ
    • License Form
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Dark Model – Labyrinth (from “Saga”)

← Previous Topic │Topics Top│ Next Topic →
Home > Topics > Dark Model > Dark Model – Labyrinth (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Unlike the other tracks of “Saga,” there are minor electronic elements in this track “Labyrinth,” as I wanted to make this track sound as organic and lively as possible. When it comes to making Dark Model’s music, I have been cautious about the proportions of orchestral and electronic sounds I use in one track. I would like to avoid the case where the music sounds like a “remix” (of some orchestral music).

Sometimes it is necessary not to cram electronic elements just to come off as modern or edgy because it could ruin the meat of what should be conveyed through the music. Hopefully, the purity of this track gives a significant role in solidifying the structure of the “Saga” story.

Here are some reviews which described this track. Enjoy them as well as the music.

“Survivors,” for example, is ideal for a 80s inspired athletic sequence, but “Labyrinth,” being the only recording to forgo electronic components, is appropriate for a more somber ― but still ― epic event.”

(Liz Campese, ARTpublika Magazine)

“Other tracks such as “Labyrinth” are delicate and sound as if performed straight off the stage of a live orchestra, with heart-tugging piano melodies that encapsulate the feeling of hope and despair all in one.”

(Isiah Reyes, Enter the Venture)

“The dense affair of Oe’s Saga takes in more heavily clad layers of repetitious melodies as we circle into the next track, titled “Labyrinth.” The dramatic storytelling unfolds as the ominous sounds of hypnotic strings fleshes out a tense, yet spirited narrative.”

(My Nguyen, The Celebrity Cafe)

“Our favorite tracks are ‘Survivors’ and ‘Labyrinth.'”

(Louis Pratt, Viral Pirate)

“‘Labyrinth’ backs off on the imminent peril and finds our protagonists once again reinvigorated in their travels. The orchestration finds itself somewhere between Howard Shore’s adventurous Lord of the Rings score and Danny Elfman’s quirky fantastical scores”

(Jon C. Ireson, Music News)

(This may sound funny, but I have not watched “Lord of the Rings” series except for some of their highlights. I have hardly heard the music as well although I would listen to Mr. Shore’s early soundtrack “Videodrome” in my twenties.)

BPM: 135
Keywords: Baroque, Neoclassical, Mysterious, Rhythmic, Beautiful, Elegant, Sophisticated, Fast paced, European, Orchestral, Strings, Cinematic, Uptempo, Solemn, Graceful, Minimalist, Aristocratic, Intricate, Pulsating, Poignant, Refined, Staccato, Chamber Orchestra, Timeless

Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Trailer Music NewsTrailer Music News introduced Dark Model “Saga” album Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
← Previous Topic │Topics Top│ Next Topic →

Tatsuya Oe Updated: January 31, 2026

Video

  • Captain Funk – Running (Audio Visualizer)Captain Funk – Running (Audio Visualizer)

Today’s Popular Topics

  • FAQs about Licensing Our Music
  • Day by Day (Microblog)
  • Tatsuya Oe Biography
  • Licensing Our Music (for International Users)
  • [YouTube Playlist] Sci-fi / Cyberpunk
  • [Updated] Captain Funk “Renaissance” Out July 17, 2026
  • Blog (English)
  • [Updated] Dark Model’s “Judgment Day” Hits 6M Streams in China

Language:

  • English
  • 日本語

Playlists

All Playlists

Random Posts

  • Updated: OE “New Classics Vol.1 & 2” Out on April 20th, 2018Updated: OE “New Classics Vol.1 & 2” Out on April 20th, 2018
  • Dark Model “Saga” Out Today – Album Reviews Report Vol.1Dark Model “Saga” Out Today – Album Reviews Report Vol.1
  • OE “Hollow Stone” featured in Anon Optics (Burton Snowboards) “M3” VideoOE “Hollow Stone” featured in Anon Optics (Burton Snowboards) “M3” Video
  • “Oath (Original Mix)” is now available on Apple Music and Spotify“Oath (Original Mix)” is now available on Apple Music and Spotify
  • Captain Funk “Endless Possibilities” in WWE WrestleMania 33 TV CommercialCaptain Funk “Endless Possibilities” in WWE WrestleMania 33 TV Commercial

Categories in Topics

Microblog

No Title
8 November 2026

D・J・ティースが提唱した「ダイナミック・ケイパビリティ」という経営理論がある。彼に責任があるわけではないし、得られるものも多い理論だが、近年のシリコンバレーの暴走・迷走は、この手の競争理論を表層的に解釈した「ゴールなき手段の最適化」の結果に見える。『鏡の国のアリス』の「その場にとどまるためには、全力で走り続けなければならない」という強迫観念(FOMO)に近い「競争のための競争」も、そろそろ限界が見えてきたのかもしれない。

D. J. ティース『ダイナミック・ケイパビリティの企業理論』 https://link.amazon/B06p0FKnZ

No Title
8 November 2026

旧約聖書の一部「コヘレトの言葉」第7章8節に、「Finishing is better than starting. Patience is better than pride.」という言葉がある。僕はユダヤ教やキリスト教の信者ではないが、一つのアルバムを作り終えるたび、いつもこの言葉を思い出す。「物事を単に始めるだけでなく、最後まで形にして完成させることが大切なのだ」と。この言葉を知ったのは、15万点近くの作品を残したと言われるパブロ・ピカソの解説本からだった。

コヘレトの言葉を読もう | 小友 聡 https://link.amazon/B04f8EnmT

No Title
6 November 2026

アルバムのミックスダウンを追い込み、16曲を通し聴き。「なかなか良いじゃないの」と浸っていた11曲目、ふとファイル名を見て愕然とした。…これ、3週間前にアートワーク用に作った暫定版だ!その後、細部を詰めて取り組んできた作業の成果に、本人が全く気づいていなかったという事実。 ここは前向きに、「前のミックスの時点で、すでにほぼ完璧に仕上がっていたということだ」という、あふれんばかりの自己肯定感で突っ走ることにします(笑)。

自己肯定感が高い人の4大特徴が明らかに! – STUDY HACKER https://studyhacker.net/self-esteem-high

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2026 Tatsuya Oe / Model Electronic. All rights reserved.
Read previous post:
Mongoose-Ben Wallace
Dark Model Music Placements: Roxy #MakeWavesMoveMountains & Mongoose

Dark Model tracks licensed for promo videos: Roxy used “Candle in the Desert (No Piano Mix)” and Mongoose used “Guilty...

Close