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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Labyrinth (from “Saga”)

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Home > Topics > Dark Model > Dark Model – Labyrinth (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Unlike the other tracks of “Saga,” there are minor electronic elements in this track “Labyrinth,” as I wanted to make this track sound as organic and lively as possible. When it comes to making Dark Model’s music, I have been cautious about the proportions of orchestral and electronic sounds I use in one track. I would like to avoid the case where the music sounds like a “remix” (of some orchestral music).

Sometimes it is necessary not to cram electronic elements just to come off as modern or edgy because it could ruin the meat of what should be conveyed through the music. Hopefully, the purity of this track gives a significant role in solidifying the structure of the “Saga” story.

Here are some reviews which described this track. Enjoy them as well as the music.

“Survivors,” for example, is ideal for a 80s inspired athletic sequence, but “Labyrinth,” being the only recording to forgo electronic components, is appropriate for a more somber ― but still ― epic event.”

(Liz Campese, ARTpublika Magazine)

“Other tracks such as “Labyrinth” are delicate and sound as if performed straight off the stage of a live orchestra, with heart-tugging piano melodies that encapsulate the feeling of hope and despair all in one.”

(Isiah Reyes, Enter the Venture)

“The dense affair of Oe’s Saga takes in more heavily clad layers of repetitious melodies as we circle into the next track, titled “Labyrinth.” The dramatic storytelling unfolds as the ominous sounds of hypnotic strings fleshes out a tense, yet spirited narrative.”

(My Nguyen, The Celebrity Cafe)

“Our favorite tracks are ‘Survivors’ and ‘Labyrinth.'”

(Louis Pratt, Viral Pirate)

“‘Labyrinth’ backs off on the imminent peril and finds our protagonists once again reinvigorated in their travels. The orchestration finds itself somewhere between Howard Shore’s adventurous Lord of the Rings score and Danny Elfman’s quirky fantastical scores”

(Jon C. Ireson, Music News)

(This may sound funny, but I have not watched “Lord of the Rings” series except for some of their highlights. I have hardly heard the music as well although I would listen to Mr. Shore’s early soundtrack “Videodrome” in my twenties.)

BPM: 135
Keywords: Baroque, Neoclassical, Mysterious, Rhythmic, Beautiful, Elegant, Sophisticated, Fast paced, European, Orchestral, Strings, Cinematic, Uptempo, Solemn, Graceful, Minimalist, Aristocratic, Intricate, Pulsating, Poignant, Refined, Staccato, Chamber Orchestra, Timeless

Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


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Saga
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Tatsuya Oe Updated: January 31, 2026

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6 June 2026

かつて若手ピアニストがアーマッド・ジャマルに「あなたの演奏は空白(間, space)が絶妙ですね」と称賛したら、「あれは空白じゃなくて、自制心(discipline)と呼ぶんだよ」と返されたという。音を増やすより減らす方が、遙かに経験や訓練を要するのは当然だが、「(少ないが)足りている」のと「(何かが欠けて)足りない」の差は大きい。この差の間に「ミニマリズム」の答えがあると思う。

Ahmad Jamal – Poinciana – Olympia Paris – LIVE https://youtu.be/SiARr9JhLEo

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5 June 2026

以前、英・中・西の3言語で世界の3分の1(約28億人)という話を書いたけれど、日本語の話者は世界で約1.5%程度。ネットであれ現実であれ、日本語だけが交わされる空間は、小さな部屋に人が密集している状態だということ。その密度の良し悪しは人それぞれだけど、世界の98.5%の人はその中でのせめぎ合いを全く知らずに過ごしている。そう考えると、日々の些末なことがあまり気にならなくなるのでは?パゴーヂ(サンバ)の名曲で良い週末を。

Vou Festejar – Jorge Aragão e Convidados https://youtu.be/N5cUaW3VffY

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以前住んでいたアパートはスタッフがほぼラテン系で、一番仲良かったのはモーガン・フリーマン似のドミニカ共和国出身のベテラン男性。「君をわが家のパーティーに誘おうと思ってたのに、最近会えなくて残念」とある日言われた。当時、彼らの間で大流行していたのがバチャータ。あの超情熱的できわどい踊りの輪に僕を誘うつもりだったのか…そんなわけない(笑)

Gero & Migle | Bachata | Para Besarte https://youtu.be/j4CmXKDCMzI

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