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Dark Model – Labyrinth (from “Saga”)

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Home > Topics > Dark Model > Dark Model – Labyrinth (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Unlike the other tracks of “Saga,” there are minor electronic elements in this track “Labyrinth,” as I wanted to make this track sound as organic and lively as possible. When it comes to making Dark Model’s music, I have been cautious about the proportions of orchestral and electronic sounds I use in one track. I would like to avoid the case where the music sounds like a “remix” (of some orchestral music).

Sometimes it is necessary not to cram electronic elements just to come off as modern or edgy because it could ruin the meat of what should be conveyed through the music. Hopefully, the purity of this track gives a significant role in solidifying the structure of the “Saga” story.

Here are some reviews which described this track. Enjoy them as well as the music.

“Survivors,” for example, is ideal for a 80s inspired athletic sequence, but “Labyrinth,” being the only recording to forgo electronic components, is appropriate for a more somber ― but still ― epic event.”

(Liz Campese, ARTpublika Magazine)

“Other tracks such as “Labyrinth” are delicate and sound as if performed straight off the stage of a live orchestra, with heart-tugging piano melodies that encapsulate the feeling of hope and despair all in one.”

(Isiah Reyes, Enter the Venture)

“The dense affair of Oe’s Saga takes in more heavily clad layers of repetitious melodies as we circle into the next track, titled “Labyrinth.” The dramatic storytelling unfolds as the ominous sounds of hypnotic strings fleshes out a tense, yet spirited narrative.”

(My Nguyen, The Celebrity Cafe)

“Our favorite tracks are ‘Survivors’ and ‘Labyrinth.'”

(Louis Pratt, Viral Pirate)

“‘Labyrinth’ backs off on the imminent peril and finds our protagonists once again reinvigorated in their travels. The orchestration finds itself somewhere between Howard Shore’s adventurous Lord of the Rings score and Danny Elfman’s quirky fantastical scores”

(Jon C. Ireson, Music News)

(This may sound funny, but I have not watched “Lord of the Rings” series except for some of their highlights. I have hardly heard the music as well although I would listen to Mr. Shore’s early soundtrack “Videodrome” in my twenties.)

BPM: 135
Keywords: Baroque, Neoclassical, Mysterious, Rhythmic, Beautiful, Elegant, Sophisticated, Fast paced, European, Orchestral, Strings, Cinematic, Uptempo, Solemn, Graceful, Minimalist, Aristocratic, Intricate, Pulsating, Poignant, Refined, Staccato, Chamber Orchestra, Timeless

Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Trailer Music NewsTrailer Music News introduced Dark Model “Saga” album Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
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Tatsuya Oe Updated: January 31, 2026

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No Title
11 March 2026

僕は動物を飼ったことがないが、子豚に関しては本気で飼いたいと思っていた時期がある。人間や羊、犬など身近な哺乳類には群れる習性があるが、実は種全体で見れば単独行動派が大半らしい。また、集団の作り方も動物によって千差万別だ。かつてチャーチルは「私は豚が好きだ。犬は我々を見上げ、猫は我々を見下すが、豚は我々を対等に扱ってくれる」と語ったという。その言葉が真実なのか、いつか豚に直接聞けたらと思っている。

“I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” https://bit.ly/3NvPYbK

No Title
10 March 2026

パンチの効いたビートやボーカルを作る際、アタックにTR-808のハイハットやホワイトノイズを薄く重ねると、キックやスネアの解像度が劇的に上がることがある。ハット特有の鋭い「チッ」という音には、10k〜16kHz付近の非常に純度の高いエネルギーが含まれているからだ(単体で聴くとキツイ)。この帯域を超えると人間には聞こえない「超音波」の領域に入るが、犬にとってはここからが本番の可聴範囲となる。犬笛を眺めながら、そんな音の境界線に思いをはせる。

【犬笛による呼び戻し】 https://youtu.be/q2AXwSG7jDg

No Title
10 March 2026

ハリウッド映画界には「Temp Love」という用語がある。制作が猛烈なスピードで進むため、最終的な劇伴が完成するまで、映像には多くの「仮の音楽」が当てられる。有名曲等が使われると、監督はその曲に執着し、作曲家に酷似した曲を求めてしまう。この「仮の音楽への執着とプレッシャー」への対応に苦心する作曲家は多いようだ。僕の既存曲が映像に使われるのは歓迎だけど、あえて書き下ろしの仕事を請けないのは、こうした風潮も理由の一つかもしれない。

Temp Loveのワナを避ける方法(英語) https://www.soundstripe.com/blogs/how-to-avoid-temp-love

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