• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Functional
      • Running Workout Music
      • Sound for Sitting Meditation
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • YouTube Shorts
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • Licensing Our Music (for International Users)
    • Licensing FAQ
    • License Form
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Dark Model – Labyrinth (from “Saga”)

← Previous Topic │Topics Top│ Next Topic →
Home > Topics > Dark Model > Dark Model – Labyrinth (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Unlike the other tracks of “Saga,” there are minor electronic elements in this track “Labyrinth,” as I wanted to make this track sound as organic and lively as possible. When it comes to making Dark Model’s music, I have been cautious about the proportions of orchestral and electronic sounds I use in one track. I would like to avoid the case where the music sounds like a “remix” (of some orchestral music).

Sometimes it is necessary not to cram electronic elements just to come off as modern or edgy because it could ruin the meat of what should be conveyed through the music. Hopefully, the purity of this track gives a significant role in solidifying the structure of the “Saga” story.

Here are some reviews which described this track. Enjoy them as well as the music.

“Survivors,” for example, is ideal for a 80s inspired athletic sequence, but “Labyrinth,” being the only recording to forgo electronic components, is appropriate for a more somber ― but still ― epic event.”

(Liz Campese, ARTpublika Magazine)

“Other tracks such as “Labyrinth” are delicate and sound as if performed straight off the stage of a live orchestra, with heart-tugging piano melodies that encapsulate the feeling of hope and despair all in one.”

(Isiah Reyes, Enter the Venture)

“The dense affair of Oe’s Saga takes in more heavily clad layers of repetitious melodies as we circle into the next track, titled “Labyrinth.” The dramatic storytelling unfolds as the ominous sounds of hypnotic strings fleshes out a tense, yet spirited narrative.”

(My Nguyen, The Celebrity Cafe)

“Our favorite tracks are ‘Survivors’ and ‘Labyrinth.'”

(Louis Pratt, Viral Pirate)

“‘Labyrinth’ backs off on the imminent peril and finds our protagonists once again reinvigorated in their travels. The orchestration finds itself somewhere between Howard Shore’s adventurous Lord of the Rings score and Danny Elfman’s quirky fantastical scores”

(Jon C. Ireson, Music News)

(This may sound funny, but I have not watched “Lord of the Rings” series except for some of their highlights. I have hardly heard the music as well although I would listen to Mr. Shore’s early soundtrack “Videodrome” in my twenties.)

BPM: 135
Keywords: Baroque, Neoclassical, Mysterious, Rhythmic, Beautiful, Elegant, Sophisticated, Fast paced, European, Orchestral, Strings, Cinematic, Uptempo, Solemn, Graceful, Minimalist, Aristocratic, Intricate, Pulsating, Poignant, Refined, Staccato, Chamber Orchestra, Timeless

Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Trailer Music NewsTrailer Music News introduced Dark Model “Saga” album Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
← Previous Topic │Topics Top│ Next Topic →

Tatsuya Oe Updated: January 31, 2026

Video

  • OE – Cloud Sea (Visualizer)OE – Cloud Sea (Visualizer)

Today’s Popular Topics

  • Day by Day (Microblog)
  • FAQs about Licensing Our Music
  • [Updated] Captain Funk “Renaissance” Out July 17, 2026
  • Tatsuya Oe Biography
  • Licensing Our Music (for International Users)
  • Dark Model
  • [YouTube Playlist] Sci-fi / Cyberpunk
  • Blog (English)

Language:

  • English
  • 日本語

Playlists

All Playlists

Random Posts

  • Dark Model – Revenge Seeker (Complete Version)Dark Model – Revenge Seeker (Complete Version)
  • Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)
  • Music for Soga Shohaku “Dragon and Clouds” (NHK BS Program)Music for Soga Shohaku “Dragon and Clouds” (NHK BS Program)
  • Dior Homme shop in Paris is now playing Captain Funk’s DJ MixDior Homme shop in Paris is now playing Captain Funk’s DJ Mix
  • Tatsuya remixed Tsuchiya Anna’s “Somebody Help Me” as Captain FunkTatsuya remixed Tsuchiya Anna’s “Somebody Help Me” as Captain Funk

Categories in Topics

Microblog

No Title
26 October 2026

21世紀末には世界人口の8割以上を「グローバルサウス」が占めると言われる。この地域のアジアやアフリカ、中南米などのIT事情を現地取材で届ける「Rest of World」は貴重なメディアだったが、立ち上げ数年で単体での配信停止となった。Google元CEOの娘が100億円近い私財を投じたプロジェクトだったと知り、その「Rest of World(その他の世界)」という名に込められた目線に複雑な思いがしつつ、あっけない幕引きに驚いている。

Rest of World – Reporting Global Tech Stories https://restofworld.org/

No Title
25 October 2026

本棚を整理していて栗本慎一郎氏を思い出し、懐かしの『パンツをはいたサル』を読み返す。同書で紹介される「過剰と蕩尽」理論の本家、ジョルジュ・バタイユの『呪われた部分』は久しく開いていないが、昨今のAIの暴走や相次ぐサイバー攻撃のニュースに触れ、まさにこの現象だと感じた。過剰な2010年代を経て、様々な局面で蕩尽が始まっているように見える今、内なる声に耳を傾け、ひたむきに生きたい。

『呪われた部分 (ジョルジュ・バタイユ著作集)』 https://link.amazon/B0jbBY4Tp

No Title
24 October 2026

僕が創っているのは音楽だが、創作の動機や姿勢に関して、音楽家や作曲家からインスパイアを受けることは滅多にない。発明家、文筆家、映画監督、研究者、そしてさまざまな美術家のインタビューや著書、制作風景に触発されたり共感したりすることはしょっちゅうで、そのための探索は音楽を聴くのと同じくらい好きだ。 陶を素材とする造形作家、田中知美さんの「器を作ろうと思って陶芸を始めたのではない」という言葉がとても印象に残った。

Contemporary Ceramics in Japan: Interview with Tanaka Tomomi https://youtu.be/Bv0WFm8cwzw

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2026 Tatsuya Oe / Model Electronic. All rights reserved.
Read previous post:
Mongoose-Ben Wallace
Dark Model Music Placements: Roxy #MakeWavesMoveMountains & Mongoose

Dark Model tracks licensed for promo videos: Roxy used “Candle in the Desert (No Piano Mix)” and Mongoose used “Guilty...

Close